These works begin where drawing and sculpture converge.

Metal is welded, forged, and shaped into line. That line is suspended on glass, held between permanence and transparency — solid form caught within a surface that allows light to pass through it.

The glass is not a background but a field of suspension. The metal does not rest upon it; it exists within it, neither fully object nor fully image.

A sculptor draws. A draughtsman welds. The distinction dissolves.