Before there were words, there were marks

Early image-making organized the world into bands—distinct zones where different forms could exist at once. This structure returns in these works.

Creatures move through layered registers of existence: living alongside the skeletal, ancient beside the mythological. Human presence appears only briefly, suspended between them—neither origin nor conclusion.

The amber wash is not background. It is an atmosphere.

The ink line does not illustrate. It excavates.

This is a triptych—three works made between 2018 and 2020, conceived as a single body.